Referring to Marcel Breuer’s architectural form, the Pavillon d’Accueil de Flaine visitor centre revisits Flaine’s concrete facade diamond shapes.
The buildings sides unfold according to function. Taking the stations perforated metal logo, the “signal” north-west side, is directed to the departmental road so as to be clearly visible to visitors arriving upstream. North-east of the front entrance side opens onto the square with oblique embrasures that shelter the entrance of the pavilion from wind and snow. It evokes the Whitney Museum window in New York built by Marcel Breuer. Finally, the “view” side, facing west, is cut by a large projected opening framing the landscape – the opening to the Flaine valley.
If the mineral base refers to the slope in infrastructure, the woods were selected for the building’s structure, framed by a relatively complex geometry. The timber frame is subject to snow (700 kilograms per square metre) but can meet the formal requirements of the cut volume. The entire pavilion is clothed in a metal siding. The same care is given to the roof treatment as to the facade treatments, Flaine’s mountainous terrain induced a diving view on the buildings roofing.
By a game of reflections, the metal cladding recalls the natural surroundings – the pavilion’s facades evolve with seasonal and daily rhythms. In the daylight the pavilion reflects the surrounding view, thus translating the willingness to strongly integrate itself to its site while keeping its contemporary character. At night, the pavilion transforms itself into a lantern – Flaine’s city logo appearing on the entrance facade, the volume illuminating as a beacon.
The building evokes a spacial architecture, and so unfolds the story of Flaine, a timeless ski resort, prototype of architecture and mountain design.
Photography is by Valentin Jeck
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